Cover Artist
Live music films for playback singers and touring artists — multi-camera, shot to the performance, cut to the track.
A live music film has one job: make somebody who was not in the room feel the performance. That is a coverage problem before it is an edit problem. The song happens once, the artist does not repeat a phrase for the camera, and the moment the crowd reacts is the moment you most need a camera already pointed at them.
What we shoot
- Concerts, festival sets and club nights
- Studio sessions and unplugged performances
- Cover releases and single launches
- Artist profiles, rehearsal and backstage films
- Vertical performance cuts built for reels
The hard part
Stage lighting is designed for an audience, not a sensor — hard colour, fast changes, and a performer who moves between a hot key and near-darkness inside a bar. We shoot on cameras that hold their colour under saturated LED, expose for the face rather than the stage, and lock white balance so a lighting cue does not shift skin tone mid-phrase. Audio comes off the desk with an independent room mic, because a board feed alone sounds sterile and a room mic alone is unusable.
What you get
- A performance film cut to the released track, in sync to the frame
- Multi-camera coverage including a locked wide you can always cut back to
- Vertical and square cuts framed at the shoot, not cropped afterwards
- Crowd and atmosphere plates for the artist's own channels
We have covered playback singers, indie acts and touring bands across auditoriums, hotel ballrooms and clubs. Send the setlist and the runtime and we will tell you how many cameras the room actually needs.
The output.
Other industries.
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