01
Ingest & sync
Data wrangling and security. Footage is backed up to redundant servers, multi-cam angles are synced, and proxies are generated.
Studio-grade finishing.
True cinematic quality is forged behind closed doors. We refuse to outsource our finish. By keeping our entire post-production pipeline in-house, we maintain absolute control over the final aesthetic, ensuring zero friction and uncompromising visual fidelity.
The flow
From ingest to export. No drift.
A highly structured, secure pipeline built for scale and speed.
02
Offline edit
The narrative assembly. We cut for pacing, rhythm and story structure. Delivered as a rough cut for your initial structural approval.
03
Online & VFX
The cleanup phase. Picture lock is achieved. Motion graphics, titling and any necessary plate cleanups are integrated seamlessly.
04
Colour & sound
The final polish. ACES colour grading for cinematic depth, paired with broadcast-compliant audio mixing and sound design.
05
Mastering
Rendered for deployment. We deliver exact platform specs (16:9, 9:16, 4:5), ensuring pristine compression for web, broadcast and internal archives.
Your timeline is fixed in the quote, once we know the scope.
Our arsenal
The post-production stack.
Our editing bays are powered by industry-standard software and calibrated hardware to guarantee absolute colour and audio accuracy.
The edit
- Adobe Creative Cloud Pro Suite
- Premiere Pro
- After Effects
The grade
- DaVinci Resolve Studio
- ACES pipeline
- Calibrated reference monitors
The sound
- Pro Tools
- Audition
- Broadcast-compliant metering
Who we shoot for
Post Production for your sector.
Operational protocols
Capabilities & compliance.
Yes. If you have an existing archive or footage shot by another agency, our post-production team can ingest, colour-match and cut it to meet our studio standards.
No endless back-and-forth. We use frame-accurate, timecoded review links. Every project includes three structured feedback rounds: rough cut, fine cut and final polish.
We maintain active, redundant backups of all raw footage and project files for a standard minimum window, ensuring you can request alternate cuts or updates months down the line.
Commissions
Cut us in early.
Cut us in early.
Or cut us in at the edit.
Detail your project scope. Our production team will review your requirements and respond within 4 working hours.